Programme/Approved Electives for 2020/21
Available as a Free Standing Elective
The Photographic Message and Digital MontageIn this module students will look at the impact of photography as a mode of mechanical reproduction through to contemporary hyper real digital image production. Students will be introduced to semiotic analysis and study the work and roll of photographic practioners in both a contemporary and historical context. Each student will produce a photomontage and workbook based on notions of cultural identity and/or stigma and discrimination.Assessment will be by a visual project photomontage (50%), a workbook (50%), and a compulsory oral presentation.Reading ListWells L (ed) 2009 Photography: a critical introduction RoutledgeClarke G 1997 The Photograph Oxford University PressSturken M, Cartwright L (2001) Practices of Looking an introduction to visual culture Oxford University PressSontag S 2002 On Photography Harmondsworth: PenguinBerger J 1972 Ways of Seeing Harmondsworth: Penguin
Talis Aspire Reading ListAny reading lists will be provided by the start of the course.http://lists.lib.keele.ac.uk/modules/mds-10011/lists
This module aims to give students an introduction to contemporary visual image production and theoretical debates surrounding visual representation.At a skills level the students will be introduced to Apple Machintosh basics, Photoshop and Powerpoint software.
Intended Learning Outcomes
demonstrate familiarity with particular media forms and genres and the way these work to affect meaning will be achieved by assessments: 1, 2 and 3show an understanding of the roles of communication systems, modes of representations and systems of meaning in the ordering of societies will be achieved by assessments: 1 and 2show an awareness of the role of technology in media production. will be achieved by assessments: 1 and 2use technology in the creation of media forms. will be achieved by assessments: 2show an understanding of and reflection upon his/her own creative processes and practice through engagement in media production will be achieved by assessments: 1present his/her awareness of the ways in which identities are constructed and contested through engagement with culture. will be achieved by assessments: 1demonstrate a knowledge of forms of media and culture as they have emerged historically and appreciate the processes through which they have come into being, with reference to social, cultural and technological change will be achieved by assessments: 1evaluate and apply theoretical, methodological and practical approaches to the study of the media and culture, and their communication will be achieved by assessments: 1 and 2consider and evaluate their own work in a reflective manner, with reference to relevant historical or contemporary debates and conventions, and produce work showing competence in operational aspects of media production technologies, systems, techniques and professional practices will be achieved by assessments: 1, 2 and 3
20 hours lecture/tutorial attendance 60 hours assessment preparation 70 hours Lab work/independent study
1: Workbook weighted 50%
Description of Module Assessment
Workbook of at least twenty pagesThe workbook asks students to include the following: a description of the creative process and techniques adopted, an analysis of the work of others who have addressed notions of cultural identity, a critical self evaluation, references and bibliography.
Students are also asked to provide initial and working ideas and to reflect on the
theoretical discussions relating to the chosen topic. They have to include a
critical evaluation of the work of other photographic practitioners from both a
historical and contemporary point of view, and should assess how new technologies
have changed photographic practice and communication in general and the creation of
photomontage in particular.
2: Project weighted 50%
PhotomontageStudents will produce a photomontage which addresses notions of cultural identity. Students will be assessed on the following: their ability to use Apple Macintosh computers, digital cameras, found imagery and Photoshop CS3. Students will also be assessed on their ability to demonstrate some aesthetic and technical accomplishment, according to criteria outlined in the Course Handbook. Assessment will be based on breadth of the project (in terms of variety of,
styles and tools adopted) and depth of the project (in terms of how theory and
practice are integrated).